Anok Yai, Papparazzi Shot
Source: Screenshot of video on Tik Tok of Supermodel Anok Yai
Walking in the streets of New York City, 2023
Model: Anok Yai
A public moment, of no importance...a model walking the streets of New York. This model, however, might catch your eye. Anok is a Sudanese model, a pioneer, and an icon of modelling, as she was voted Model of the Year in 2023. She was discovered on Instagram when a photographer took her photo, posted it, and she went viral. Talent scouts found her and she was quickly signed to a major modeling agency. Within months, she appeared on big stages and made a lasting impact. She has since appeared on bigger stages and has used her platform to represent Black women, in an industry concentrated in racism.
A private moment, unless you are a supermodel, traipsing around the wet streets of the city, in heeled sandals and short skirt--camera ready.
The scene--
Anok, unbothered by the weather and perhaps her toes still dry, looks over her glasses, no doubt because she can’t see behind them at night.
The silhouette--
The shape of the umbrella expands the already dramatic silhouette of the model. The shearling coat covers shape of the body but provides the idea of a prepared woman. Comfortable in her exposed legs, walking with elegance and ease. The legs crossing in surefootedness. The wings attached to the shoes create volume near the feet which draw attention to the lightness of her step.
The technique--
For this painting, I was interested in mark making and compiling shapes to create a larger idea. I started with white paint, to create circles of varying size that will become rain. Her placement, high and occupying as much space as possible. I was focused on her umbrella, cape, and step. The umbrella is a symbol of intelligence, comfort, a tool made to keep the user dry. I enjoyed splattering white paint on it to capture the look of rain dazzling as camera flashes went off. The cape is its own black-and-white abstract configuration of lines and shapes. It creates volume to expand the original form of the human body. I ask myself, “how do these shapes signal what the wearer is trying to communicate?” Her shoes, adorned with feathers, adds a touch of playfulness and luxury. Her step, about to touch, is lifted almost floating. This creates an interesting shadow, cast by the flashes of cameras. I also enjoy using rich, deep tones for representing skin, especially dark browns and golds. To me, the human silhouette is not just the shapes of humanity but the colors.